The Story Guide The Story Guide

Vishchash

The Great Spirit of Yearning

PantheonUlmfae Spirits


Wanting is a constant struggle for the addicted and the eventual delight of the patient. Vishchash in wanting is the grand chaser of fulfilment, and the consequential teacher of moderation and poise. Vishchash in waiting is the great attractor, knowing the satisfaction of having.


The closest word I could come up with was greed or gluttony in my translations, but as I have furthered my understanding I have found, Vishchash is the journey from wanting to having, then no longer needing.
— Mal Resh Covin (Cultural Lecture Series 3, Page 91) 'On Aulrufae' .y81

Vishchash in art is depicted as wealthy of a kind, surrounded by their wants whether family, trinkets, or gold. A grin on their face speaking wanting with true satisfaction already in the lines of their eyes.


Shrines of Vishchash

In the places we store our wealth and excess, especially Aulrufae, will keep a shrine to Vishchash. They are made to ward who might steal away what is had.


Vishchash Mystics

They teach yearning as an irony. Vishchash mystics tend to be poor and lack wants for things in life. They serve as a purpose to show those who do not yearn and want enough may end up with nothing. They also tend to have hoarded wealth which would easily let them get off the streets. They are not impoverished. They simply have left behind the ways they once were.

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Ulmfae Spirits


When I first began studying their religion, I was shocked by the shear volume of values they revered. At first I blamed the translation. I thought the communication concepts were describing traits of individuals. Now, as I’ve become fluent in the language. These words are as much the general concept as the names of the spirits in their pantheon. The Wordsake are living beings. All with irrefutable proof of divinity.
— Mal Resh Covin (Cultural Lecture Series 3, Page 192) 'On Aulrufae' .y81


Aulrufae Deities

Aescri, The Great Spirit of Scribes

The Deity responsible for the impregnation of ideas and their manifestation to reality from the runes and symbols embodying their essence. As children Aulrufae will be called Aescri by parents and tribe when they align with the passion and focus it takes to master the written languages both symbol and meaning.

Aescri in art is depicted as any scribe focused on their work. A scroll and a pen held by anyone anywhere busy at putting ink to paper is a gentle reminder of the presence of Aescri.


Lihlel, The Great Spirit of Rhythm

Primarily thought of as a divine feminine of beauty and grace. Lihlel was a Aulrufae aristocrat who spent her life dancing, organizing festivals, bringing an otherwise nomadic people together. When young musicians begin to make sense of their craft and emotion becomes synchronized in the notes they play, Lihlel is thought to be both guiding and entrusting them with bringing others together.

Lihlel in art is depicted as a graceful woman in a deep forest green gown caught mid-step in a dance nobody else knows.


Orire, The Great Spirit of Conquerors

Also known as the Joy of Victory and Anger of Defeat. Orire is the shout of celebration and the growling promise of coming retribution. Called on in frustration for blessings and thanked in resolution. Orire to the devout grants incredible strength. It is said that as a Deity, Orire is unbiased and will gladly offer his boons to both sides of a war for those who offer their obeisance to his spirit. Those who blame Orire for their losses are thought ignoble. Glory is the ultimate prize.

Orire in art is depicted as someone back to back with themselves, the same face victorious on one side and defeated on the other.


Roshreph, The Great Spirit of Reason

Lost in contemplation, hindsight, the root of cause and effect, and discerning the difference between correlation and causation. Meditating in the spirit of Roshreph is a common daily practice of many Aulrufae. Coming to understand reasons and possible changes to better one’s life or approach and solve a problem is considered a gift from this Deity.

Roshreph in art is depicted as a small silhouette of a person standing on top of a mountain peering off into an endless horizon.


Vishchash, The Great Spirit of Yearning

Wanting is a constant struggle for the addicted and the eventual delight of the patient. Vishchash in wanting is the grand chaser of fulfilment, and the consequential teacher of moderation and poise. Vishchash in waiting is the great attractor, knowing the satisfaction of having.

Vishchash in art is depicted as wealthy of a kind, surrounded by their wants whether family, trinkets, or gold. A grin on their face speaking wanting with true satisfaction already in the lines of their eyes.

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Divinity, Legend, & Spirituality

These Pages are still in development.


The road is paved with good intentions. Most of these legends, these deities, and these spirits are not inherently aligned or addressed as good or evil. They each have their bailiwick. Divine conflicts are usually driven by the believers and not the beings themselves, though, there are exceptions.

Incredible power is associated with the name sake of deities, legends, and spirits.
— Owen Dast, Historian of Altera Enrina

In Kindness, or Hatred


The Vaia Codex

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Subscriptions support our work and the dream of expanding all you see here. At this point we don’t have much locked behind the premium subscription. We would appreciate your support as we are getting off the ground!


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